Ringo honored by the Rock and Roll Hall of Fame

1103DEVIN McKINNEY  •  As the karmic wheel turns: balancing out my snarky but I think accurate estimation of The Magic Christian (see the panel to your right), comes today from Salon this informed, comprehensive, well-written, and generally right-on appreciation of Ringo Starr’s truest talent and most immeasurable contribution: his musicianly drumming. Authored by Patrick Berkery, a journeyman drummer who writes for Modern Drummer and has played with War on Drugs, Clap Your Hands Say Yeah, and others, it comes upon the announcement that the Rock and Roll Hall of Fame will, during the April 18 induction ceremonies, bestow upon Ringo its Award for Musical Excellence.

That word “musician” might seem oddly applied to a drummer: “percussionist” has always been the synonym in broadest use. But consider the common run of even highly-regarded drummers. Most cannot be said to have fashioned a style that is a music unto itself, and that is so uniquely, intuitively supportive of the components (voice, guitar, melody) that for the most part stand before it. But that’s precisely what Ringo has been doing since he first laid stick to skin.

Berkery gives a fellow banger’s perspective on what made Ringo a musician of the drums—the role(s) he played, accents he brought, personality he infused. An aspect of Berkery’s right-onness is that he doesn’t pretend Ringo is honor-worthy for his solo records, movie career, or endless All-Starr Tours: for anything, in short, but his drumming on Beatles records. To claim any more would be to spread fertilizer to no growth purpose, and to obscure the issue. Besides, the phrase “his drumming on Beatles records” ought to be the only pass anyone needs into a Rock and Roll Hall of Fame, and the only justification necessary for an award, a career, a life.

First paragraph:

Somewhere in the world right now, there’s a drummer in a recording studio or rehearsal room being instructed to “play it like Ringo,” which is to say they’re being tasked with adding to a song the kind of tumbling fills that have a melody of their own (like the tom-tom break in “With a Little Help From My Friends”), give a tune a swinging feel that also rocks (think: “I Saw Her Standing There”), attack a number with psychedelic abandon (“Tomorrow Never Knows”), or perhaps apply all three of those elements to one song (“Rain”).

As Ringo drums, Patrick Berkery knows. Read.

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4 Comments

  1. Nancy Carr wrote:

    Ringo is so commonly underrated as a drummer that it’s refreshing to see his work receive this kind of appreciation. One of the key adjectives for his drumming is “supportive,” as you point out. On Beatles recordings he doesn’t have to be in the foreground: he’s not flashy. But he knows exactly what each song needs, and without his contribution the whole thing would fall apart. He and Paul, working together, underpin everything else. It’s fitting that McCartney will be inducting him into the Hall of Fame.

    • Hologram Sam wrote:

      He was just fancy enough, without losing the essential beat. He’s like a drummer from an earlier era, Dave Tough, who had a superior rhythmic style you could feel in your bones. Dave is one of the unsung heroes of the swing era. Ringo had that important SNAP.
      Compare him to the Grateful Dead’s drummer, whose sound has been described as “sneakers in a dryer.”

  2. Hologram Sam wrote:

    Some information on Dave Tough:

    Dave Tough was famous (and infamous) for several things. He was a subtle and versatile drummer who hated to solo. He was an intellectual whose career was often rather aimless.

    Tough began playing drums as a child and while still at school was a member of the Austin High School Gang. This loosely assembled group of musicians effectively formulated the Chicago style of jazz which became popular in the ’20s.

    Dave Tough, a swinging drummer with a fine sense of musical quality, was a significant member of the group. He travelled to Europe in the ’20s and also spent time in New York City making records with Eddie Condon, Red Nichols and others.

    I’ve read interviews with musicians who described him as being a drummer who created a driving beat. He shunned the limelight; wasn’t flashy, but musicians would perk up whenever he sat in with them, and the dance floor would get crowded.

  3. Mia wrote:

    Ringo hasn’t been inducted until now? How upsetting it is to see that Ringo is still so under-appreciated! It’s a shame he doesn’t get the attention he deserves just because he “didn’t contribute” to the Lennon-McCartney songwriting. He’s still one of the greatest drummers in the world.

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